You get an idea for a story. Now what? What happens between the inspiration and perspiration? How do you prepare and develop a story idea so it’s ready to be written?
That’s what I asked seven gifted and articulate writers at this year’s Balticon 48 (sponsored by the Baltimore Science Fiction Society). The answers from Paul E. Cooley, Jared Axelrod, Maria V. Snyder, Starla Huchton, Pip Ballantine, Nobilis Reed, and Myke Cole are as diverse and inspired as the people we asked.
Author and writerly guru, Delilah S. Dawson – author of the Blud Series, featuring “Wicked as They Come”, “Wicked as She Wants”, and “Wicked After Midnight”, and her latest work, a YA tale titled “Servants of the Storm”, as well as being the instructor for a fabulous Worldbuilding Workshop at LitReactor (firing up Sept 10), returns to the Big Chair at the Roundtable to lend her writerly mojo to our brainstorming efforts.
My splendid co-host, Starla Huchton, and I are joined by creageous Guest Writer Karey Bunch who brings a tale of monsters hiding in plain sight, a monster squad assigned to dealing with them, and a young woman who gets swept up in all the adventure. The story sparks a froth of discussion as we weave our way through a catacomb of possibilities, unearthing some glittering fragments of Literary Gold along the way.
To have Delilah S. Dawson join us at the virtual Table is the podcast equivalent of plummeting down a water slide riding an alpaca (without the bleating and flailing of hooves).
Author of deliciously wicked tales for adults (including the Blud Series, featuring Wicked as They Come, Wicked as She Wants, and Wicked After Midnight) and honest no-punches-pulled tales for teens (like Servants of the Storm), Delilah is blazing her own path through the literary world.
Brion and I are joined by authors Colin F. Barnes, Alasdair Stuart, Starla Hutchton, and Stephen Godden to discuss the challenges of writing near-future scifi in a world where science fact keeps out pacing our imaginations. Along the way we manage to debunk the reported “death of cyberpunk” as well as explore the sources of the trend towards genre mash-ups.